Why am I passionate about this?

I’m an Irish historian and biographer living in London and have always been fascinated by the confused attitudes that bedevil the relationship between Ireland and England. Educated in Ireland and the USA, I came to teach at the University of London in 1974, a period when IRA bombings had penetrated the British mainland. In 1991, I moved to Oxford and taught there for twenty-five years. As I constantly move between the two countries and watch my children growing up with English accents but Irish identities, I remain as fascinated as ever by the tensions, parallels, memories, and misunderstandings (often well-meaning) that prevail on both sides of the narrow Irish Sea.


I wrote

The Irish Story

By Roy Foster,

Book cover of The Irish Story

What is my book about?

Irish history is constructed to conceal or evade ancient quarrels, drawing on myths, oral tradition, folklore, ghost stories, and romance.…

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The books I picked & why

Book cover of The Last September

Roy Foster Why did I love this book?

Elizabeth Bowen once described the Ireland-England relationship as ‘a mixture of showing-off and suspicion, nearly as bad as sex’. Her 1928 novel demonstrates this beautifully, eviscerating the attitudes of  Anglo-Irish grandees in their Big House as the country around them crackles with guerilla war and showing the incomprehension between the Irish (at all social levels) and the British soldiers sent ostensibly to keep the peace.

Though it ends in tragedy, social comedy, as so often, shows the brutal realities beneath the surface. And the atmosphere of the Irish landscape, at once idyllic and brooding, comes alive in Bowen’s supercharged prose.

By Elizabeth Bowen,

Why should I read it?

2 authors picked The Last September as one of their favorite books, and they share why you should read it.

What is this book about?

Read Elizabeth Bowen's accessible feminist take on the Irish aristocracy

WITH AN INTRODUCTION BY VICTORIA GLENDINNING

The Irish troubles rage, but up at the 'Big House', tennis parties, dances and flirtations with the English officers continue, undisturbed by the ambushes, arrests and burning country beyond the gates. Faint vibrations of discord reach the young girl Lois, who is straining for her own freedom, and she will witness the troubles surge closer and reach their irrevocable, inevitable climax.


Book cover of Culture and Anarchy in Ireland, 1890-1939

Roy Foster Why did I love this book?

I first encountered this book as a series of lectures in Oxford in 1978 and was riveted.

Lyons faced head-on the themes of cultural and sectarian antagonism in Ireland from the death of the constitutionalist nationalist leader Parnell in 1891 to independent Ireland’s decision to remain neutral in World War II, using sources that were as much literary as political, and at the end projecting the divisions in Irish society forward to the then-current violence in the North. The tone was notably acerbic, even verging towards despair, but also employing bitter humour.

A great historian, he died prematurely a few years later when just embarking on his projected but unwritten biography of Yeats. He had written many books, but this is the one that left the loudest echoes–notably in nailing the psychological gulf of understanding between Ireland and Britain that became so apparent in the early twentieth century.

By F.S.L. Lyons,

Why should I read it?

1 author picked Culture and Anarchy in Ireland, 1890-1939 as one of their favorite books, and they share why you should read it.

What is this book about?

A balanced attempt to come to grips with the problems of the Irish body politic and with the seeds of those problems in the more recent past.


Book cover of Autobiographies

Roy Foster Why did I love this book?

I spent eighteen years writing the authorized biography of W.B. Yeats, and he haunts me still.

Though his poetry is world-famous, his autobiographies are less well known; yet they illuminate like nothing else the experience of living between Ireland and England and the contrast between a childhood in late-Victorian County Sligo and coming of age in the artistic circles of fin-de-siecle London.

At the end of his life, Yeats reflected on the tension between his Irish background and English conditioning and the contradictory feelings they inspired, writing, "My hatred tortures me with love, my love with hate." Elsewhere, he wrote that poetry comes out of "the struggle with ourselves," and his autobiographies show this to mesmerizing effect.

By W. B. Yeats,

Why should I read it?

1 author picked Autobiographies as one of their favorite books, and they share why you should read it.

What is this book about?

This title contains six autobiographical works that Yeats published in the mid 1930s. Together, they provide a fascinating insight into the first 58 years of his life. The work provides memories of his early childhood, through to his experience of winning the Nobel Prize for Literature.


Book cover of Phineas Finn

Roy Foster Why did I love this book?

I love this novel so much that I named my son Phineas in homage.

Anthony Trollope might seem the ur-English novelist because of his much-loved series of Barhhester novels set among clerics in a provincial town, but he spent much of his working life in Ireland and wrote passionately about the country in many of his books.

Phineas Finn is a kind of alter ego, a young Irishman equipped with charm, good looks, and very little money. He becomes a Member of Parliament and sets out to find his way through the challenges and dilemmas of high society in Victorian London. His moral compass sometimes goes slightly awry, but it generally comes right in the end.

Trollope’s psychological subtlety draws out the ambiguities and prejudices that Phineas encounters and reminds us of the central part played by Ireland in the British Empire. He died long before Ireland’s separation from Britain, but his work helps explain why the severance was so traumatic when it came.

By Anthony Trollope,

Why should I read it?

1 author picked Phineas Finn as one of their favorite books, and they share why you should read it.


Book cover of John Bull's Other Island

Roy Foster Why did I love this book?

This is a play that reads like the most hilarious novel, and the "Preface for Politicians" should be required reading for British diplomats and civil servants.

Shaw deals with the misunderstandings that arise when a rich Englishman arrives in Edwardian Ireland to develop a tourist opportunity. His approach is at once idealistic and exploitative, while his Irish colleagues are cynical, hardheaded, and privately contemptuous.

In the accompanying "Preface," Shaw uses the misunderstandings that arise from self-interest and wilful ignorance to illuminate and expose Britain’s misgovernment of Ireland. His perspective is socialist rather than nationalist, but few saw as far ahead as he did in 1904, and his devastating humour still takes your breath away.

By Bernard Shaw,

Why should I read it?

1 author picked John Bull's Other Island as one of their favorite books, and they share why you should read it.

What is this book about?

John Bull's Other Island is a comedy about Ireland, written by George Bernard Shaw in 1904. Shaw himself was born in Dublin, yet this is one of only two plays of his where he thematically returned to his homeland, the other being O'Flaherty V.C. The play was highly successful in its day, but is rarely revived, probably because so much of the dialogue is specific to the politics of the day.


The play deals with Larry Doyle, originally from Ireland, but who has adopted English cultural customs and manners to fit in in England and Tom Broadbent, his English business…


Explore my book 😀

The Irish Story

By Roy Foster,

Book cover of The Irish Story

What is my book about?

Irish history is constructed to conceal or evade ancient quarrels, drawing on myths, oral tradition, folklore, ghost stories, and romance. The cast of storytellers includes novelists (Elizabeth Bowen), poets (W.B.Yeats), historians (F.S.L, Lyons), politicians (Gerry Adams), and bardic romantics (Standish O’Grady); the chorus of dissonant voices provides interpretive narratives for various audiences. 

High points such as the rebellions of 1798 and 1916 are repurposed for present-day needs, especially when governments take a hand in “commemorating history’–the climactic chapter of the book. There is fun to be had along the way, as well as some genuine illumination, but there is also the danger of turning the story of Ireland into a theme park. Walt Disney had, after all, Irish roots.

Book cover of The Last September
Book cover of Culture and Anarchy in Ireland, 1890-1939
Book cover of Autobiographies

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